Four women who are left with nothing but debt after their husbands died in a heist are pulling a heist of their own to reclaim their lives.
Based on the homonymous 1983 British series, “Widows” (2018) takes the fight from London to Chicago. Astonishing performances from the ensemble cast with Viola Davis and Robert Duvall standing out. Then, the powerful opening chase sequence promises an action-packed drama to keep you on the edge of your seats. A promise that doesn’t deliver though…
It is not first and certainly will not be the last when a European or an East Asian director goes to Hollywood. See, for example, actor/director Mathieu Kassovitz and “Babylon A.D” (2008) or Jee-woon Kim and “The Last Stand” (2013). One way ticket back… Even though “Widows” is nowhere near as bad as the aforementioned films (by brilliant directors) or the reviews surrounding it, it lacks the Steve McQueen, fine art training, personality, and idiosyncrasy.
It lacks the suffering of “12 Year a Slave” (2013), “Shame’s” (2011) internal struggle, and “Hunger’s” (2008) realism. Maybe his first cut (around 3 hours long) offered all of the above and more. Regardless, I really look forward to McQueen’s next film, European, American, or otherwise.