Dragged Across Concrete (2018): Action / Crime / Drama

Dragged Across Concrete.jpg

Two suspended cops descend into the criminal underworld as they both struggle financially.

Third feature film from writer/director S. Craig Zahler who amazes once more. Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Thomas Kretschmann, Jennifer Carpenter, Laurie Holden, Don Johnson, Udo Kier.

After “Bone Tomahawk” (2015) and “Brawl in Cell 99” (2017), “Dragged Across Concrete” is not the shock to the system his previous two films were but lands on screen in a time that “political correctness” has reached its peak. A slow-burn action/crime/drama which infuriates but also entertains with solid acting, writing, cinematography, editing and directing. Realistic and surrealistic dialogues which make one think, in either case, how on Earth did he come up with that (or why on Earth didn’t I think of that first)?!

With reviews as low as 0 and high as 10, you won’t find much in between. Don’t listen to anyone though (yes, not even myself)! Watch it and see where you stand in this world of violence, corruption, rights but no obligations, and opinionated masses that no matter what you say or do will offend… someone.

The world is what we make of it. I vote for communication and respect.

Advertisements

True Detective: Reflections on Narrative and Character Development

True Detective Season 1.jpg True Detective Season 2.png True Detective Season 3.jpg

“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on the True Detective series (2014 – 2019), and my reflections on its narrative and character development.

http://theworldofapu.com/true-detective-2014-2019/

The Story of 90 Coins (2015): Short / Drama / Romance

The Story of 90 Coins.jpg

Love and aspiration battle in a young fashion designer’s head when the time comes to making the decision of her life.

If there is anything worse than something preventing you from achieving your dream, that is someone preventing you from doing so… 90 coins, in 90 days that will glue you to your seats for 9 minutes. Directorial debut for Michael Wong who hits the nail with a short drama portraying the gut-wrenching feeling of slowly losing love to an idle, utopic, pseudo-promising dream.

Brilliantly directed, edited, and acted, “The Story of 90 Coins” serves as a memory which comes and goes in waves blending two peoples’ lives the way they would like to remember them, and the way they actually were. A memory that will lead them to find eternal love or lose themselves forever.

The Tattooist (2018): Short / Horror

The Tattooist.jpg

The art of tattoo and the unprecedented darkness of the artist.

Have you ever been to an under-2-minutes short film festival? “The Tattooist” is the poster child of their accomplishment. Terror, paranoia, and unfathomable blackness are synopsised in a minute and twenty seconds of ungodly, deranged insanity.

A short film by producer, writer, and director Michael Wong that needs exploring and expanding and so hope to see it becoming a feature in the very near future.

Escape Room (2019): Action / Adventure / Drama

Escape Room.jpg

For a chance to win $10,000 finding their way out of a challenging escape room, six strangers must work together for, ultimately, a chance to save their lives.

Right… So… If you are under 15 y/o: Enjoy the dynamic of the characters, the kind of far-fetched yet enjoyable riddles, and the brilliant production design, art direction, and set decoration.

If you are over 15 y/o: Still watch it if you want to but I would go for something more… extravagant: “Cube” (1997), “The Experiment” (2001), “Identity” (2003), “Exam” (2009), “Triangle” (2009), “The Killing Room” (2009), “Coherence” (2013), “The Belko Experiment” (2016).

And these are just on the top of my head. There are dozens more. Two things about “Escape Room”: On one hand, when the producers imply that there will be more, they shouldn’t be giving away so much information in the end. It destroys the mystery by answering most of the burning questions. On the other hand, if I had to recommend it that would be for… Taylor Russell and Deborah Ann Woll!

The Raid 2 (2014): Action / Crime / Thriller

the-raid-2.jpg

Straight after the raid’s massacre, Rama goes undercover to expose the corruption within the police force, no matter how deep the rabbit hole goes.

There have not been many sequels that were expected to be better than the first installments. Especially, when the ones that spawned the sequels were shockingly good. Well, “The Raid 2” is one of these exceptions with Gareth Evans and Iko Uwais pushing the bar to the limit.

Starting two hours after “The Raid: Redemption” (2011), ending up two years later, “The Raid’s 2” uncut violence almost tripled the body count, got banned by the Film Censorship Board of Malaysia, was censored in the US, got an audience member faint at the Sundance Film Festival world premiere, and mesmerised millions of martial arts fans, and action junkies all over the world.

With the first cut being around three and a half hours long, the final cut is still almost 50 minutes longer than the first “Raid”. 150 minutes of gory deaths, phantasmagoric car chases, extreme martial arts, over 60 types of guns, police corruption, mob hits, Rama going berzerk, and… “Hammer Girl”, “Baseball Bat Man”, and “The Assassin”.

Directing, Editing, DOP, Choreography, Stunt coordination, and all cast and crew deserve a standing ovation. An amazing opening sequence, with a stunning second act, and a grand finale fight scene which took 6 weeks to prepare and 8 days to film. An ABSOLUTE MUST!!!

 

P.S. If you are interested, this is how Gareth Evans shot the “how-the-f@!#-did-they-do-that” car chase scene: (IMDb, 2019)

The Raid: Redemption (2011): Action / Thriller

The Raid_Redemption.jpg

When a S.W.A.T. team raids a 30-storey building run by a drug dealer and his army, the tables turn and the hunter becomes the prey.

After “Merantau” (2009), Indonesian-born Iko Uwais collaborates for a second time with Welsh-born Gareth Evans and a low budget action/thriller turns into a high octane, brutal, fast-paced, bloody massacre. The Indonesian, indigenous martial art style Pencak Silat faces numerous other martial arts from all over the world. Combining fists, elbows, knees, kicks, ground techniques, locks, and more, people fly down the stairs and go through doors, walls, and windows. To top it up, they get chopped up by knives, machetes, and swords, and have their brains blown up by pistols, shotguns, machine guns, and grenades in “30 floors of chaos”. Another day in the office…

Highly recommended for the action-packed film lovers and example to follow for the big budget, nonsensical blockbusters. Also, Yayan Ruhian and Joe Taslim will make your jaw hit the floor!

Revenger (2018): Action / Crime / Thriller

Revenger.jpg

An ex-cop shows up in a prison island, shared by 12 Asian countries, where convicts are left to die, with the sole purpose to find his family’s killer and avenge their death.

This one went totally under the radar. The story doesn’t even remotely resemble something that could have happened in reality so, should you decide to watch it, don’t pay too much attention to the parts that don’t make too much sense. Why would you watch it then?

Bruce Khan! As per IMDb, he is the holder of:

  • A 4th-degree black belt in Hapkido,
  • A 4th dan in Korean Karate,
  • A 5th dan in Korean Kwal Bup,
  • A 4th dan in Korean Kyeoktooki.

And he is a lot more than that as a person. Like Bruce Lee, he had a severe back injury only to come back stronger. Hats off! He possesses agility, accuracy, speed, power… Honestly, I was not aware of the chap but I’m glad I got to know him. Certainly, I would have omitted certain characters and sequences in the film but once you watch it you’ll see why it was worth your while. Enjoy!

Triple Threat (2019): Action / Thriller

Triple Threat.jpg

Mercenaries unite in order to protect the daughter of a billionaire who becomes the target of an elite assassins’ group.

“Triple Threat” is NOT, I repeat is NOT to be compared, contrasted, or associated in any way with: “Ong-Bak: The Thai Warrior” (2003), the “Undisputed” franchise (2006-2016), “The Raid: Redemption” (2011), “The Raid 2” (2014), “The Night Comes for Us” (2018), or any other film of that level.

It’s a real shame to have names such as Tony Jaa, Iko Uwais, Tiger Hu Chen, Scott Adkins, Celina Jade, Michael Jai White, and Michael Bisping in one film and get that result. But the film’s duration warned me even before watching it. So, I was pretty sure this was going to be a disappointing one, I just didn’t know how badly disappointing.

In about an hour and a half, we have:

  • Undeveloped characters that no one really cares about.
  • Bad acting / No chemistry between the actors.
  • Obvious difficulty from the non-native English speaking actors to express themselves.
  • Mediocre action / inconsistent fighting skills.
  • And the biggest problem that begets all problems: Horrible writing! I mean… Horrible!!!

As it is not in my idiosyncrasy to write negative comments just for the fun of it or to attract an audience so, I’ll stop here. Prachya Pinkaew, Gareth Evans, and Timo Tjahjanto have raised the bar to a level that newer directors and even themselves will have to go the extra mile to keep delivering the jaw-dropping action/thriller films they have been delivering so far.

The Kindergarten Teacher (2018): Drama

the-kindergarten-teacher-1-e1553717962497.jpg

A kindergarten teacher – and aspiring poet – becomes obsessed with one of her students who possesses a unique gift.

“The Kindergarten Teacher” is not just another film about a child prodigy but rather a film about a caring and sensible adult who sees, and wants to act upon, everything that is wrong about today’s world. Unfortunately, in the process, she loses the battle as she becomes obsessed with a kid that is everything she would like to be.

Strong suit: The meticulous character development that builds up, escalates and justifies the teacher’s fascination, and the line that draws and gradually oversteps turning it into fixation and borderline pedophilia – Maggie Gyllenhaal is incredible.

I’m not an expert in poetry but I think it’s the film’s weakest point. In films such as “Good Will Hunting” (1997) or “Gifted” (2017), the charisma itself speaks volumes in regard to why that particular kid or young adult is special. Here, (once again I’m not an expert) I found the kid’s poems… nothing much. And when an adult poetry class finds them extraordinary, I can’t help but wonder why. I have a feeling that if I walked into a poetry class reciting those poems, I would look around me next only to see faces staring at me with a “wtf” expression. But I might be entirely wrong so don’t quote me on that.

I admire Netflix for its diversity which proves time and time again that it’s not afraid to expand its horizons, pleasantly surprise its subscribers, and give them value for their money.

 

P.S. I can’t remember last time I watched a Maggie Gyllenhaal film that she didn’t have sex in it. #justsaying