Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

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“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on a few international films, not particularly well-known ones, that have spawned renowned Hollywood successes (whether critical or commercial). Maybe I can get you to watch either or both of them, and then get you to ask if the Hollywood remake added to the existing film it was indeed necessary.

Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

 

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Trick ‘r Treat (2007): Comedy / Horror

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Demons, witches, pranks going wrong, werewolves, serial killers and a virgin, all happen in a small town’s Halloween night.

Jack O’ Lantern’s favourite comedy/horror. Writer/Director Michael Dougherty offers great home entertainment by blending scared kids, horny teenagers, and mentally deranged adults in a non-linear narrative horror with plenty of laughs, quirky performances, snappy editing, and highly creative costumes. Winner of the 2009 Fright Meter Award for Best Horror, Trick ‘r Treat is surrounded by mystery itself as, without explanation, it was pulled from the schedule, did not get a theatrical release, and went straight to DVD two years later. Producer Brian Singer reunites the amazing Brian Cox and the mesmerising Anna Paquin after X-Men 2 (2003). So, turn the lights off, grab something unhealthy to munch, and forget about all of your problems for the next hour and twenty minutes. Happy Halloween!

Indie, Low Budget, and Utterly Mind-Bending

“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can read my article on my personal top 5 indie, low budget and utterly mind-bending films (as the homonymous title dictates). I hope you enjoy it.

Indie, Low Budget, and Utterly Mind-Bending

Found Footage: Chronicles of Horror, Realism, and Case Studies

“The World of Apu”

“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on the origins, the decades of contestation, the development and expansion, the impact, and the current status of the found footage horror subgenre. I hope you enjoy the ride.

http://theworldofapu.com/found-footage-chronicles-of-horror-realism-and-case-studies/

 

City of God (2002): Crime / Drama

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Through the eyes of a young, aspiring photographer, the “favelas” of Rio unfold stories of drugs, guns, kingpins, and gang wars where always the innocent paying the price.

4 Oscars nominations, 66 wins, another 38 nominations, top rated movies #21 (IMDb, 2019). If it wasn’t for “The Lord of the Rings: The Return of the King” (2003) – which was nominated for 11 Oscars and won them all – it would have definitely won the “Best Editing” category. Fair enough. One of the best-edited films of the 21st century, “City of God”, tells the city’s true crime stories during the ’60s and the ’70s, in Fernando Meirelles’ brutally realistic documented way. Fear, insecurity, and despair spread throughout the streets of the slum overshadowing the beauty of people who have nothing to do with the gangs’ territorial issues.

Masterfully and non-linearly narrated, “City of God” delves into the poverty-stricken society of all Rio’s undesirables, digs deep into the characters’ soul and chronicles the rise and perseverance of violence.

Feature debut for the amazing Alice Braga.

Exam (2009): Mystery / Thriller

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Eight chosen contenders competing for the same position are locked in a highly respectable company’s exam room for the final test which is nothing like they have seen or experienced before.

A one-location, British psychological thriller that delves into the human psyche, and infiltrates man’s darkest thoughts. A prime example of a low-budget thriller that keeps the viewer wondering from the opening scene to the end credits what is the meaning of this test, what the question is, who truly everyone is, why were they chosen, and what is the company getting out of it.

Mysterious, entertaining, and claustrophobic, “Exam’s” storytelling relies on actual character study experiments and utilises Hitchcockian approaches that go back as far as “Lifeboat” (1944). Low budget / high standards! Hats off to cast and crew.

I say no more. Lights and phones off, and pay attention to the details. Enjoy!

The Wrestler (2008): Drama / Sport

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An aging professional wrestler, with an unsuitable for him part-time job, is forced to quit wrestling, forget his past glory, and find a way to cope in a world outside the ring.

You know why reviews can be harsh sometimes? Because of films like this one. Shot with a micro-budget of $6,000,000, “The Wrestler” is almost a perfect film. So when you watch unbearable films costing ten times more, it can be infuriating. With Darren Aronofsky believing in and fighting for Mickey Rourke, and both of them believing in and dedicating themselves to the project like their life depends on it, “The Wrestler” could only be a masterpiece.

In a form of a docudrama, Aronofsky “cuts loose” Mickey Rourke letting him write and improvise his character and Rourke, in his mid-fifties, shines like never before (Oscar nomination / Golden Globe win). Both of them debunk the myths of WWF, and old wrestlers either “break down and cry” or characterise it a “dark misinterpretation”. Be it as it may, it certainly gives a perspective and sheds some light on the professional wrestling world’s backstage.

Then, Evan Rachel Wood proves once more she possesses the Midas Touch of acting, turning all her performances into gold. And last but definitely not least, the always magnificent actress Marisa Tomei, in her mid-forties, puts women half her age to shame. Their short appearance in the film creates the perfect subtext that leads the story to the direction it was inevitably meant to be led.

“The Wrestler” is about a man facing the consequences of doing what he always thought he was destined to do. And kept on doing despite everyone else’s disapproval or discouragement. External influences that come out of envy, kindness, hate, or pure love. But sheer will to succeed and remain at the top and blind dedication blur the lines and don’t leave time to distinguish which is which. And I guess if you only possess them both you ignore the influences and aim at your destiny regardless of the consequences.

RocknRolla (2008): Action / Crime / Thriller

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A gang of lowlife crooks called the Wild Bunch, with the help of an accountant, steal money from a Russian developer that was meant for a London mob boss who has a drug addict, troubled stepson.

What could go wrong, right?! Storytelling like Guy Ritchie only knows how to deliver! “RocknRolla” makes it to my list of the top 3 Guy Ritchie films, followed by “Snatch” (2000) and “Lock, Stock and Two Smoking Barrels” (1998). The editing controls the information exactly as it should have and enhances the humorous side of a British action/crime. Gerald Butler, Tom Wilkinson, Thandie Newton, Idris Elba, Mark Strong, Tom Hardy, and Toby Kebbell work brilliantly together and clash with each other adding 100% A-list British quality acting.

In a different context now… What could go wrong, right?! People! People didn’t bother. I can only assume that one reason is “seen it all before”. But it isn’t. It is snappy, surrealistic, stylish, quirky, Cockney, and adds to the formula. Yet, what was meant to be a trilogy will never be. Our loss. Favourite scene: Robbing the Russians for the second time. Priceless!

Join me in filing a petition for the “Real RocknRolla”!!!

This is England ’83 / ’86 / ’88 / ’90: Crime / Drama

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“Combo: Men have laid down their lives for this. For this… and for what? So people can stick their fucking flag in the ground and say, “Yeah! This is England (pointing to the ground). And this is England (pointing to the heart)! And this is England (pointing to the mind)!”

Danny Cohen’s ’80s grainy cinematography and Ludovico Einaudi’s heartbreaking soundtrack accompany Midlander Shane Meadows, who creates a tear-jerking, life drama based on his childhood experiences, that debuted and elevated actors who were introduced to the world. Thomas Turgoose, Joseph Gilgun, Jack O’Connell – whose part was written specifically for him, Andrew Shim, Vicky McClure who, as the years pass by, she turns into a more and more magnificent actress and woman, Rosamund Hanson, Chanel Cresswell, Michael Socha, and Andrew Ellis get into the role and truly become the everyday heroes you see on camera. The both amazing Stephen Graham and Johnny Harris need no introductions.

Straight from the kick-off, the opening credits, archive footage, montage spanning from the Falklands war to the “Knight Rider” (1982) pretty much sums up the story of the sociopolitical situation in England but also the world in the ’80s. Shaun, Milky, Lol, Woody, Smell, Gadget, Trev, Kelly, Lenny, Pukey, and Bully all go through a rite of passage; the inescapable process of becoming men and women. And share the story of a lifetime. The references are from both the film and the mini-series and start from ’83 until ’90. I believe I’ve kept all spoilers out. If you haven’t watched it, I hope they pique your interest. If you have, I hope you see where I’m coming from.

“Woody (to Milky): You are a fucking snake in the grass… We were brothers… I would have died for you… I would have fucking died for you… I fucking loved you!!!”

“This is England” is a state of mind that divides a what would have been an otherwise carefree, bonded, random ragtag bunch of skinheads and ska lovers living in ‘Thatcherland’. A mentality that consists of politics, economy, race, generation gaps, and religion and can be may as well translated as “This is [YOUR COUNTRY OF ORIGIN]”.

There are some astonishing cinematic moments that make both the film and mini-series be a league of their own.

  • The detestable Combo whose brutal, cowardice attack leaves a young, black kid half-dead.
  • Mick (the brilliant Johnny Harris) who, whenever shows up, make your guts twirl.
  • The dramatic moment where Lol confronts Mick.
  • Combo’s brass balls, ultimate sacrifice for love.
  • The intense moment when Woody confronts Milky and the gang on the street.
  • Woody reuniting with the repentant Combo upon the latter’s release.
  • The house dinner’s revelation (Chanel Cresswell is simply mesmerising).
  • Milky putting the final nail on the coffin facing, the hero in our eyes, Combo who strives to keep a stiff upper lip.

“This is England”…

Is the domestic violence that knocks on the door of every single household that has faced it.

The decency of everyday people you probably have never met and maybe you never will who always had next to nothing, yet were always wealthier.

The pride of every English football fan has over the national team making it to the World Cup.

The genuine British humour that has always been part of but also characterised the British society.

The vast diversity of accents that make this island unique.

It is the everyday struggle to keep the head above water.

It is the everyday struggle to keep the head above water and, against all odds, somehow, find the courage to move on.

It is the English responses, reactions, idiosyncrasies, and mannerisms that you’ll find nowhere else, exhibiting England to the world with the purpose of understanding rather than judging.

It is the forgiveness some people never gave and some people never received.

“Combo: I forgive you… I just hope one day you’ll be able to forgive me…”

“This is England” pointing to the ground, to the heart, to the mind starts off as a racist interpretation at the beginning of the journey only to become the harsh realization of life when it remorselessly pins you against the wall. Combo’s (Stephen Graham) monologues and outbursts are phenomenal and his path is the cornerstone of this journey. You will hate him with a passion in the beginning only to feel for him wholeheartedly in the end.

There are innumerable moments of English realism throughout the film and series where you will find yourselves confused as to which utterances, actions, and reactions are a scripted, and which ones aren’t. “This is England” could as well be a sociological docudrama on Thatcherite England and life itself.

An unknown journey of happiness drowning in sorrow…