Found Footage: Chronicles of Horror, Realism, and Case Studies

“The World of Apu”

“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on the origins, the decades of contestation, the development and expansion, the impact, and the current status of the found footage horror subgenre. I hope you enjoy the ride.

http://theworldofapu.com/found-footage-chronicles-of-horror-realism-and-case-studies/

 

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Contact (1997): Drama / Mystery / Sci-Fi

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A scientist who has devoted her life to discovering extraterrestrial life form not only has her breakthrough but also uncovers a secret message.

Carl Sagan:  “The astronomer of the people”. Astrophysicist, author, researcher, and controversial figure regarding his scientific, political, and religious views.

Robert Zemeckis: The enormously talented director of films such as the “Back to the Future” franchise, Forrest Gump (1994), and “Cast Away” (2000).

Two and a half hours of lessons about life… on this planet or the next. And Carl Sagan was there since day one to make sure that everyone got the science right. And that everyone got a glimpse of what he “saw”. Of what he envisioned. Unfortunately, halfway there, cancer beat him and left his last breath. He was 62.

Fortunately, his adaptation, his vision, was left in the brilliant hands of Robert Zemeckis. Zemeckis grasped Sagan’s concept of the “Encyclopaedia Galactica” which is based on the science fiction novel “Foundation” by Isaac Asimov and delivered a heartfelt drama about a girl who turned into a woman with the brightest of minds and who wouldn’t stop until she discovered the truth.

The truth that science should be seeking. And not at the expense of people. The same truth that faith in something higher than ourselves should be doing. And again, not at the expense of people. “Contact” is a sci-fi/drama that doesn’t patronise, exploit, manipulate or try to impress with fake, non-coherent, uneducated scientific jargon. It takes its time to find a middle ground between science and religion and make it about not who is right and who isn’t but about respecting the fellow human being who just happens to have a different view of the “cosmos” than ourselves.

It is amazing how the real-life discovery of an arctic meteorite from Mars coincided with the film’s shooting and how Zemeckis grasped the opportunity and adapted Bill Clinton’s actual interview which looks like it is custom-tailored to the film’s discovery. Luck and talent are beyond understanding here.

Lastly, I find it really interesting how in a film that is primarily sci-fi, having so much to offer to our way of thinking, the best shot (my opinion anyway) is a young Ellie running up the stairs, after having found her dad lying on the floor, to get his medicine.

“Contact”… One of the best political, social, humane science fiction you will ever get to watch.

Stargate (1994): Action / Adventure / Sci-Fi

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The discovery of a mysterious device in Egypt will teleport a linguist and a Colonel with a military mission galaxies away to a world where Ra rules over an ancient civilization.

Who built the pyramids? How were the pyramids built? When were the pyramids built? Blending history with fiction, Rolland Emmerich manages to build up an engaging premise surrounding the aforementioned questions which, to this day, people post online or publish books and articles.

“Stargate” has everything. Brilliant directing and photography, strong storyline, relatable characters, impressive visual and sound effects, great performances, excellent music score, and right editing pace. A solid sci-fi flick with no kitsch and no cliche, offering an entertaining take on Egyptian Mythology that will especially satisfy the thought-provoking conspiracy lovers believing that once the aliens paid us a visit. And not only.

That said, between them and those who think that “Stargate” contains “Americans liberating the world” right-wing hidden messages, “religion is oppressive” beliefs, and “power to the people” left-wing ideologies… I’ll side with the “Aliens built the pyramids mirroring Orion” dudes…

In the Mouth of Madness (1994): Drama / Horror / Mystery

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A cynical insurance investigator is hired by a publishing company to find a disappeared, renounced horror writer while global psychosis starts plaguing his readers worldwide.

I was a kid when I first watched it in the cinema. And then a young adult when I watched it in VHS. And here I am now, an adult, watching it in Blu-ray and feeling like a kid all over again. “In the Mouth of Madness” is one of John Carpenter’s best works, one of Sam Neil’s best performances, Michael De Luca’s best script, and, without a doubt, one of the best psychological horrors you will ever watch in your time. Fantasy and reality, sanity and insanity, pronoia and paranoia… all blend in to “bring to life” and pay tribute to H.P.Lovecraft’s horror fiction. Probably the best film that has captured the essence of the abstruse and horrifying Cthulhu Mythos. I say nothing more. Turn the lights off and get sucked into madness!

H.P.Lovecraft died in poverty and only posthumously he and his works were recognised. “In the Mouth of Madness”, a homage to Lovecraft, was not a commercial success, yet today, it is a critically acclaimed horror; a classic. I am so perplexed by what makes people tick most of the times. I guess, like almost everything else in life, we only learn the hard way and only when it’s too late – if that! Because it’s so hard to see what’s in front of our eyes the whole time and appreciate it while it’s there. Same with people…

You know what? I’m gonna write the sequel and send it to New Line Cinema. F@!% it!

Edward Scissorhands (1990): Drama / Fantasy / Romance

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Living on the top of a hill, Edward, having scissors for hands, is at first welcomed but then abominated by a conservative society.

Potentially, Tim Burton’s greatest fairy tale. One of Danny Elfman’s best film score. Stefan Czapsky’s most wondrous cinematography. The film that showcased Johnny Depp’s true thespian skills. The film that Winona Ryder made me fall in love with an actress for the first time. Dianne Wiest and Alan Arkin are amazing as gullible and naive parents and both the visual and sound departments deliver a truly mesmerising result.

As for the story and its development, please keep in mind that it is about Edward Scissorhands who is… different. And through his eyes, we recognise isolation, we seek self-discovery, and we find love. Similar, yet more sensitive than the story of Frankenstein, “Edward Scissorhands” could be more of a different take on the Beauty and the Beast through German Expressionism enhanced with Gothic constituents.

Try not to ask too many “whys”. Try not to rationalise actions and reactions. Try not to get too political or too scientific diagnosing Edward with autism. This is one of the best modern, love stories Hollywood has to offer. It is a magical love story…

Interview with the Vampire: The Vampire Chronicles (1994): Drama / Horror

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An epic vampire chronicle, from the moment he turned to the moment he found salvation.

I would dare to say the best, atmospheric, captivating vampire film ever made. Brad Pitt and Tom Cruise. Dazzling Cinematography. Oscar nominating Art Direction-Set Decoration and Original Score. A Kirsten Dunst to give you the chills. 22 wins and 25 nominations well earned. A Neil Jordan masterpiece.

Imagine a human being finding eternity. What would they do? How would they spend their time? What human values would they keep and what human values would they discard? “Interview with the Vampire” sees and justifies eternity through a creature of a night that, legend has it, it outlives us all. Louis and Lestat stand for the bright and dark side of what we call the “soul”. Choose a side, travel around the world, and be guided through the centuries. Debunk the myths, explore philosophical questions, find God if you can, and look for the meaning of life – if there is any.

In a fictitious world, evil, non-human beings exist and live forever, wondering through perpetuity, neither knowing nor caring about racism or homosexuality. In our real world, us, the distinguishably separated from the animals, humans, with our very short given time on this Earth, why can’t we do the same?

The film is dedicated to the late River Phoenix.

Miracle on 34th Street (1994): Family / Fantasy

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Christmas Version:

An old man who fits the Santa Claus profile becomes a symbol for a company, a family, and a nation alike.

Richard Attenborough, Elizabeth Perkins, Dylan McDermott, and Mara Wilson give a great performance in a film for the whole family. Legendary John Hughes behind the production and director Les Mayfield remake the 1947 version of the homonym film with humour, fantasy, great photography, camera work, and editing. Gather the family and enjoy!

Non-Christmas Version:

An old chap found on the street, who has not been vetted whatsoever and officially claims he is Santa is trusted by a family, a major company, and a nation to be near kids.

My, oh, my… Folks gather round! A major company whose CEO’s last name is “Cole” hires a guy for its representative Santa Claus who looks like the 1930’s Santa Claus, property of Coca Cola – “Coke”. And all of us… worldwide… to this very day… religiously… still pass the same torch from generation to generation.

But our generation is evolutionary! We keep walking while texting towards the third decade of the 21st-century with our wireless headphones on because seeing and listening in life is for the backward-looking.

Merry – Coca Cola’s – Christmas!