With the excuse that people will want to hurt her, a girl, locked insider the house since birth by her insanely overprotective father, manages to escape only to realise that he was right all along.
Push (2009) meets Stephanie (2017) made in Canada. A great narrative accompanied by great cinematography. The compelling atmosphere and the very persuasive acting – a standing ovation for the young actress Lexy Kolker – examine thoroughly, even create a case study, on the philosophy of the masses in regard to what it’s like to be different, to stand out, to be able to perform miracles, to feel like a freak and alone…
Turn the lights off, get your other half, your friends, or just a nice drink and enjoy it! I was thinking of writing that films like Freaks need our support so we can have a lot more of them but, truth to be told, we need eye-opening films like Freaks so we can reevaluate, the norms of the societies we live in but also, as André Bazin would ask, ‘What is Cinema?’.
While their father is facing time for his notorious crime, two siblings, just for having his name, have to face society.
Dark, existential, real, and made in Canada! Low budget, indie film that went under the radar due to, mostly, negative reviews. The depiction of a small society can be negative for numerous reasons but it can also be, unfortunately, painfully realistic. Every character plays a role that moves the story forward, towards a path that human perception of love, bigotry, reputation, and family values counts and shapes society as we know it.
Feature debut of the very promising writer/director Scooter Corkie with Dianna Agron, Shawn Ashmore, and Jared Abrahamson leading strong. Daring and thought-provoking, “Hollow in the Land”, deserves your attention as it opens the door to the kind of cinema that impresses with its simplicity while portraying something so intricate… Us!
Father and daughter land on a planet’s remote, exotic moon to harvest precious gems and get rich but between merciless people and dangerous forest dwellers, escaping becomes the ultimate goal.
Directors Christopher Caldwell and Zeek Earl shoot the feature version of their homonymous short, on a $3.9m budget. And the result pays off. Well directed, well paced and well acted, “Prospect” invests in a claustrophobic opening sequence and amazing shots from space. While on the ground, intentionally or unintentionally, the film can be pitched or could have been pitched or maybe it was as “Mad Max in an alien moon”.
Films like “Prospect” make me more optimistic. It is an indie, low budget sci-fi that pays respect to the genre and the art of cinema with cast and crew fully supporting and believing in it. And so did the fans who applauded its minimalism at the festivals and didn’t care if props and costumes were handmade by, among others, cosplayers!
Inspirational! Well done!