Earthquake Bird (2019): Crime / Drama / Mystery

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A translator in Japan becomes a prime suspect after her friend goes missing and her utterances and actions only worsen the situation for her.

Enigmatic, slow-burn, awkward. Mystery surrounds not only what Lucy Fly says and does but what everyone says and does. Interestingly enough, there is no character development as all characters are already developed. The amazing is how we get to wonder throughout the film how everyone got there. As for the story itself, the fabula and the syuzhet create a storyline that balances between the generic – the life as an ex-pat in Japan, and the specific – Lucy Fly’s paranoia in her world of sadness. If, eventually, the ending is to your liking or not this is up for you to decide.

Meticulously written, brilliantly acted, masterfully directed, and very carefully and patiently edited. Last but not least, this is arguably the best photography of the year. Netflix keeps the surprises coming, firstly because its Marketing is non-existent (I’ve said it before and I’ll keep saying it), and secondly because it dares once more to invest in diversity, quality, and the different.

Let the ‘mystery’ bring out the best of the genre. Let the film fill the gaps whenever it’s ready. Let your mind work it out in its own way.

 

For Ben! How could this not remind me of you mate? 🙂

The Raid 2 (2014): Action / Crime / Thriller

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Straight after the raid’s massacre, Rama goes undercover to expose the corruption within the police force, no matter how deep the rabbit hole goes.

There have not been many sequels that were expected to be better than the first installments. Especially, when the ones that spawned the sequels were shockingly good. Well, “The Raid 2” is one of these exceptions with Gareth Evans and Iko Uwais pushing the bar to the limit.

Starting two hours after “The Raid: Redemption” (2011), ending up two years later, “The Raid’s 2” uncut violence almost tripled the body count, got banned by the Film Censorship Board of Malaysia, was censored in the US, got an audience member faint at the Sundance Film Festival world premiere, and mesmerised millions of martial arts fans, and action junkies all over the world.

With the first cut being around three and a half hours long, the final cut is still almost 50 minutes longer than the first “Raid”. 150 minutes of gory deaths, phantasmagoric car chases, extreme martial arts, over 60 types of guns, police corruption, mob hits, Rama going berzerk, and… “Hammer Girl”, “Baseball Bat Man”, and “The Assassin”.

Directing, Editing, DOP, Choreography, Stunt coordination, and all cast and crew deserve a standing ovation. An amazing opening sequence, with a stunning second act, and a grand finale fight scene which took 6 weeks to prepare and 8 days to film. An ABSOLUTE MUST!!!

 

P.S. If you are interested, this is how Gareth Evans shot the “how-the-f@!#-did-they-do-that” car chase scene: (IMDb, 2019)