Sucker Punch (2011): Action / Adventure / Fantasy

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After losing her mother and accidentally killing her sister, a young girl gets institutionalised, mentally withdrawing to an alternate reality, to produce an escape plan.

There is no real need for yet another review on Sucker Punch but, stumbling upon a horrible critique the other day, I felt like watching it again and writing about it. Directing, acting, cinematography, visual & sound effects, editing, music, casting, costume design, makeup, art direction, stunt coordination, choreography… get 10/10.  The opening sequence alone could be a landmark for montage in the 21st century’s Hollywood.

As for the script, this is an excruciatingly dramatic story written and uniquely developed by Zack Snyder. A more symbolic logline could be: A fragile, young girl descends into madness after reality hits her harder than she could ever imagine, not even giving her the time or arsenal to defend herself. Possibly the most artistic way of examining the mind’s coping mechanisms in multiple layers. Read between the lines; there is a huge amount of information waiting to be discovered. For more spoilers, have a look at this one. Very interesting: https://www.imdb.com/title/tt0978764/trivia?item=tr1610675

It’s always easy to cast stones and judge from the comfort of our couch. To go out there and actually do though is what takes real “cojones”. You don’t have to like it. Whoever thinks s/he can do a better job, by all means, give it a shot – and write about your experience. The number of hours and amount of effort put to bring such a film to life is beyond understanding. If you are passionate about German expressionism, Italian neorealism, experimental/avant-garde, or even art-house cinema and you still decide to watch it and don’t like it… at least don’t attack it.

They say words are mightier than the sword. Unfortunately, in this case, it proved to be true.

 

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Polar (2019): Action / Crime

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An aging assassin, just before retirement, gets double-crossed and becomes the job.

How much do you want to forget your problems? If the answer is “I can’t put it into words”, this one is for you! In two hours of shooting, killing, torturing, f@#!$%, and cursing, “Polar” recruits every cliche under the sun that every a film of that magnitude has delivered over the past four decades. Now, the funny thing is that it is absolutely enjoyable. Probably not the best way to adapt Dark Horse’s homonymous graphic novel “Polar: Came from the cold”, as it doesn’t really take itself seriously – which is fine – but, on occasion, it resembles a humorous parody. Oh well… from the opening scene, you know exactly what you are getting into.

Mads Mikkelsen was one of the three reasons why I watched it, and with Katheryn Winnick and Vanessa Hudgens being the second and the third, I got a bit disappointed as they were highly underused. Winnick is an extremely talented martial artist who could have been the main villain and give Mikkelsen a good run for his money. As for Hudgens, she needed a lot more screen time as she is an extremely talented actress and amazing woman that must have taken a tremendous effort to make her look like an ordinary girl. And even then, it is impossible not to stand out.

That kind of storyline has been beaten to death. Only a few weeks ago, I watched and reviewed “Asher” (2018) and straight away I thought it was the same but more surrealistic and brutal version of that. And then Richard Dreyfuss shows up in the exact same role!!!

If you want to watch an equally graphic but way much more realistic action/crime adaptation, go for Marvel’s series “The Punisher” (2017). Hands down!